its meaning in literature. In literature, a symbol, more often a concrete object, is used to represent something broader and more abstract, often in moral, religions, or philosophical concept of value. In Charles’s words, symbolism is defined as “the art of expressing ideas and emotions not by describing them directly, nor by defining them through overt comparisons with concrete images, but by suggesting what these ideas and emotions are by re-creating them in the mind of the readers through
萨满文化调查问卷表 can take different forms. Generally, it is an object representing another to give it an entirely distinct meaning that is much deeper and more significant. Sometimes, however, an action, an event, or a word spoken by someone may have a symbolic value.
2.2 The Symbolism Movement
Symbolists hold that the purpose of art is to capture more absolute truths which could only be accessed by indirect methods. Thus, they compose in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. The “Symbolist Manifesto” (“Le Symbolisme”) was published in 1886 by Jean Moréas. Moréas announced that Symbolism is hostile to plain meanings, declamations, false sentimentality and matter-of-fact description, and that its goal instead is to clothe the ideal in a perceptible form whose goal is not in itself, but whose sole purpose is to express the ideal.本文来自辣,文^论#文~网，加7位QQ324_9114找源文
www.751com.cnIn literature, the movement has its roots in Les Fleurs du mal (The Flowers of Evil, 1857) by Charles Baudelaire. The aesthetics was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s.
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