The lack of large film corporations is also a problem waiting to be solved. To be specific, there are few renowned companies in China's film industry and investment disorder leads to inefficacy. Moreover, the low level of company specialization means it is difficult to attract enough high quality capital.
For example, financial institutions cannot easily identify reliable quality projects for investment. The relevant government departments should establish production and distribution rules, in order to ensure that the industry grows healthily.
Another problem is that Chinese movies lack international influence. Although in the past, some Chinese films, like Hero, have attracted large global audiences, in recent years, few Chinese movies have won international awards and become globally successful. One of the reasons for that is a tendency toward over-commercialization. A possible solution might be for the government to adjust the Chinese-foreign co-production regulation permitting foreign capital to invest in projects, so as to make full use of the international experience of foreign companies and upgrade the level and competitiveness of Chinese films.
Talent cultivation can also be an obstacle. In this era of globalization, we should establish a training system for students in order to improve the professional level of China's film industry.
Finally, there is the need to establish a value system for mainstream Chinese film aesthetics on the premise of cultural persity. Audiences should be captivated by a movie's cultural values and influence as well as the spectacle. If Chinese movies can achieve some breakthroughs in this respect, expressing Chinese cultural values for audiences both home and abroad, it would be a great contribution to the cultural industry and the development of society.
Nowadays, China's film industry is trying its best to develop commercially. This can lead to box office revenues without acclaim, and style over substance, as moviemakers appeal to the lowest common denominators of public taste. Movies are a cultural entertainment product based on artistry. Without the artistic quality, they merely become an amusement and simple persion.
Whether films possess artistic quality, or not, is an important sign to measure the maturity of the movie industry. Movies copying Curse of the Golden Flower and Red Cliff, which put all the business elements together to provide a cold dish, will never succeed again.
Recent Chinese blockbusters have succeeded with critical favor. Films such as Assembly, Forever Enthralled, The Founding of A Republic, The Message, and Bodyguards And Assassins, indicate that Chinese movies have matured and developed in both form and spirit.
However, China's film industry still has a long way to go. It is still in the early stages of transforming from a major movie producing country to a leading power in the world film industry.
B.原文的翻译
翻译的资料。
走上开放改革壮大之路的中国电影产业
在几十年来的最快增长的轨道，国内电影业需要采取一步参与国际竞争。
在21世纪初，中国电影的年产量小于100，其中大部分是通过直接或间接的政府投资资金。市场很沮丧，每年的票房约为500-600亿元。电影院依靠好莱坞大片来文持他们的业务，而唯一中国电影的畅销是所谓的“新年贺卡电影”，由导演如冯小刚做。论文网
当时，电影文化也是在低挡，而电视明星，电视节目和电视剧高歌猛进。到了崩溃的边缘，中国的电影业在2004年开始改变。 中国电影产业英文文献和中文翻译(2):http://www.751com.cn/fanyi/lunwen_28894.html