本论文以法国著名作家雨果的《悲惨世界》小说的原始故事情节为主线，重点引申、剖析、阐释博爱对一个罪犯，乃至对正常人的心理暗示作用之大。既，本课题立意的构想旨在将原本古典小说关乎“灵魂震撼”主题阐释的历史意义结合到当今社会司法改造现实意义的层面上来，赋予古典小说以现实意义，古为今用，使博爱相对于教育与当今社会司法劳改体制本身对决，从而弘扬爱的正能量相对于个人心理变化的暗示作用。
毕业论文关键词：文克托.雨果, 博爱, 救赎, 人道主义
CONTENTS
Acknowledgments...    i
Abstract    ii
摘要iii
1 Introduction..    1
2 More Than One Way To Save a Soul.     3
2.1 Religion to Save a Soul..    3
2.2 Penalty to Save a Soul    4
2.3 Love to Save a Soul    7
3 Philanthropy Saves a ‘Criminal’ in the Story     10
3.1 Definition of Philanthropy..    10
3.2 Bishop Saves the ‘Criminal’...    10
3.3 The ‘Criminal’ Aroused by Love    12
4 The Power of Philanthropy     14
4.1 Psychological Allusion of Love    14
4.2 Love Moves the World..    15
5 Conclusion...    18
Bibliography.    19
1 Introduction
Les Misérables is a French historical novel by Victor Hugo, first published in 1862, which is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title, but several alternatives have been used, including The Miserable, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption.

Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for the stage, television, and film, including a musical and a film adaptation of that musical.

The appearance of the novel was highly anticipated and advertised. Critical reactions were perse, but most of them were negative. Commercially, the work was a great success globally.

Jean Valjean's character is loosely based on the life of Eugène François Vidocq, an ex-convict who became a successful businessman widely noted for his social engagement and philanthropy. Vidocq helped Hugo with his research for Claude Gueux and Le Dernier jour d'un condamné (The Last Day of a Condemned Man). In 1828, Vidocq, already pardoned, saved one of the workers in his paper factory by lifting a heavy cart on his shoulders as Valjean does. Hugo's description of Valjean rescuing a sailor on the Orion drew almost word for word on a friend's letter describing such an incident. Hugo used Bienvenu de Miollis (1753–1843), the Bishop of Digne during the time in which Valjean encounters Myriel, as the model for Myriel.
In 1841, Hugo saved a prostitute from arrest for assault. He used a short part of his dialogue with the police when recounting Valjean's rescue of Fantine in the novel. On 22 February 1846, when he had begun work on the novel, Hugo witnessed the arrest of a bread thief while a Duchess and her child watched the scene pitilessly from their coach. He spent several vacations in Montreuil-sur-Mer, which became the model for the town he calls Montreuil-sur-Mer. During the 1832 revolt, Hugo walked the streets of Paris, saw the barricades blocking his way at points, and had to take shelter from gunfire. He participated more directly in the 1848 Paris insurrection, helping to smash barricades and suppress both the popular revolt and its monarchist allies. 《悲惨世界》博爱人道主义心理暗示(2):http://www.751com.cn/yingyu/lunwen_32757.html