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摘要山西民歌是中国民歌之脊梁，作为其中的一大流派左权民歌也因为各种条件不同其民歌也是独树一帜、自成体系，作为左权开花调民歌的代表作《桃花红 杏花白》也将左权民歌的艺术特征展现在曲子中。除去左权地区的民歌《桃花红 杏花白》在现今传唱度较高的就是王志兴改编的《桃花红 杏花白》，他所改编的《桃花红 杏花白》是在民歌《桃花红 杏花白》的基础上融入民歌《会哥哥》的旋律，整个歌曲具有浓郁的山西民歌特点，运用了不同的手法，使得改编后的歌曲更具有新引力。本文《桃花红 杏花白》通过论述王志信的艺术处理来进一步论述王志信创作的特点以及左权民歌特点，以用于以后的教学，为用于实践方面的演唱和创作做好理论依据。本文主要分为三个部分：第一部分是对于研究的背景知识进行描述，主要包括左权民歌概况、曲作者简介、以及《桃花红 杏花白》概况作为背景资料；第二部分主要是对《桃花红 杏花白》的音乐本体进行研究以用于说明王志信改编的《桃花红 杏花白》艺术处理；最后一部分主要是讲述运用于实际演唱上的处理。49919
毕业论文关键词：左权民歌；艺术处理；王志信；风格
On Wang Zhixin's adaptation of "art" of the white peach apricot processing
Abstract Shanxi folk songs is the backbone of the Chinese folk songs, as the genre Zuoquan folk songs for various conditions different its folk song is unique, self-contained, as left in flowering tune folk songs for the peach apricot gray "will also be Zuoquan folk art features are demonstrated in tune. Remove left in area of the folk song "peach apricot gray" in today's sung high degree is Wang Zhixing adaptation of "peach apricot gray", his adaptation of the peach apricot gray "is in based on the folk song" peach apricot gray "into folk songs" brother "of the melody, the whole song has rich Shanxi folk song characteristics, using a different technique, the adaptation of the song more attractive. The peach apricot gray "through the discussion of Wang Zhixin's artistic treatment to further discussion of Wang Zhixin creation characteristics and Zuoquan folk song characteristics, for later use in teaching, for the creation and singing practice for good theoretical basis. This paper is pided into three parts: the first part is to describe the background knowledge of the research, mainly including Zuoquan folk profiles, song introduction of the author, and the peach apricot gray "overview as background; the second part is mainly on the peach apricot gray" music ontology research for Wang Zhixin adaptation of the art of dealing with the peach apricot gray "; the last part is mainly about the use of actual singing.
Key Words: Zuoquan folk Wang Zhi xin Artistic treatment Style
目 录
摘要-Ⅰ
AbstractⅡ
目录-Ⅲ
前言1
一、山西民歌的特点-1
（一）山西民歌的发展现状1
（二）山西民歌的传承特点1
二、《桃花红 杏花白》的艺术审美-2
（一）《桃花红 杏花白》的创作经过2
（二）对《桃花红 杏花白》基本要素的分析-4
三、演唱处理以及分析7
（一）在演唱作品前，首先分析音乐作品7
（二）在演唱作品时的注意事项8
参考文献-11
一 山西民歌的特点
山西民歌种类繁多，左权民歌是其最具影响力的民歌题材之一。左权民歌形式多种多样，内容异常丰富。从曲调上可分为“大腔”、“杂曲”、“小调”三种形式。
（一）山西民歌的发展现状