摘要：竹象征着气节和坚贞，中国是第一个开始使用竹制品的国家，竹刻在中国由来已久，与中国悠久的文化有着不解之缘。其中宝庆竹刻是一种集观赏、实用于一体的民间工艺，它是从实用竹器工艺中脱胎出来的一朵艺术奇葩。邵阳作为湖南西南部的文化中心，自古以来都盛产楠竹，竹制工艺十分发达。宝庆竹刻就起源、盛行于邵阳，它是当地人民智慧的结晶，是祖先留给我们的珍贵文化遗产。2006年5月20日，这一天，宝庆竹刻经国务院批准认定为第一批国家级非物质文化遗产名录，从而肯定了宝庆竹刻在中国竹刻艺术中的地位和影响，强调了它是一种不可再生的宝贵的艺术资源。虽经历过几段低迷时期，发展有些滞后。但在政府对非物质文化遗产保护的支持下，传承人毫不动摇地延续竹刻雕刻的技术，社会大众不断提高保护非物质文化遗产的意识，加上以宝庆竹刻本身具有精美绝伦的工艺、古朴典雅的特征、热情奔放的地方特色，风光几世纪延续至今，并且形成一定规模的产业。20538
毕业论文关键词： 宝庆竹刻；艺术特色；传承发展；产业规划
Baoqing bamboo Carving Intangible Cultural Heritage Research Perspective
Abstract：Bamboo is a symbol of integrity and firmness, and China is the country first began to use bamboo products, bamboo carving has a long history in China, and China's long culture has a close relationship.Baoqing bamboo carving which is a set of ornamental and practical in one of the folk process that is born out from a practical bamboo work out a wonderful work of art.As southwestern Hunan Shaoyang cultural center, are rich in Nan bamboo, bamboo craft technology is developed. Baoqing bamboo carving on the origin, prevalent in Shaoyang, it is the wisdom of the local people, and is the ancestors left us a precious cultural heritage.May 20, 2006, this day, the State Council approved Baoqing bamboo carving identified as the first batch of national intangible cultural heritage, which affirmed the status and influence Baoqing bamboo carving bamboo carving art in China, emphasizing that it is a kinds of precious non-renewable resource of art.Although the downturn experienced paragraphs and develop some lag. But government support for non-material cultural heritage protection, the inheritors unswervingly continue bamboo carving carving techniques, and constantly improve the public awareness of the protection of intangible cultural heritage, coupled with Baoqing bamboo carving itself has exquisite craft, simple and elegant holding signs, passionate local characteristics, scenery Order of two centuries now, and have a certain scale industries.
KeyWords： Baoqing bamboo Carving；Art features；Heritage and development；Industry Planning
  目    录
一、绪论1
（一）宝庆竹刻研究的背景1
（二）宝庆竹刻作为非物质文化遗产项目研究的目的和意义1
1、研究方法.1
2、研究目的和意义.1
（三）宝庆竹刻的历史追溯与现状2
（四）宝庆竹刻已取得的成就4
二、宝庆竹刻简介5
（一）艺术特色5
（二）雕刻类型6
（三）竹刻传承人及其优秀作品6
1、国家级非物质文化遗产竹刻项目传承人曾剑潭.6
2、代表性传承人王浩宇.8
3、竹刻传承人张宗凡.10
三、宝庆竹刻与嘉定竹刻11
（一）嘉定竹刻简介11
（二）宝庆竹刻与嘉定竹刻的异同点11
四、宝庆竹刻发展停滞的原因及解决方法15
（一）政府方面15
（二）传承方面15
（三）群众眼中的宝庆竹刻15
（四）宝庆竹刻的发展、生存之道16
1、传承与发展宝庆竹刻的战略定位.16
2、提升竹刻产业化水平------采用现代工艺.16
3、打造“全国竹刻之乡”的路径.17 非物质文化遗产视阈下的宝庆竹刻研究:http://www.751com.cn/yishu/lunwen_12353.html