摘要鸟虫篆印起源于春秋战国时期，盛行于两汉，又在明清时期得到继承与复兴。鸟虫篆印的观赏性和他与众不同的艺术性在春秋战国时期即被人重视，但在两汉之后由于汉字的书写逐渐趋向于快速与便捷，篆书也从实用书体文字中渐渐淡出，篆书一度受到冷落，但到了明清时期，鸟虫篆印又得到了继承与发展。鸟虫篆印的线条流美与质朴并存，结构追求饱满，雍容华贵，章法同样在平正中见奇绝，鸟虫篆印之所以可以一直流传都归功于它自身独特的艺术性，古朴，流美，自然，雍容等等不同的艺术面貌又让它流露层出不穷的观赏力，所以我们在创作鸟虫篆印时也感受到它变幻莫测的艺术风貌。49225
毕业论文关键词：线条；结构；章法
The bird insect seal of Abstract
The bird insect seal originated in the Warring States period, prevalent in the Han Dynasty, but also inherit and revival in the Ming and Qing dynasties. Birds and insects seal ornamental and his unique art in the spring and Autumn period and the Warring States period is attention, but after the Han Dynasty with the Chinese character writing gradually tend to be fast and convenient, seal also from the practical calligraphy style text gradually fade, seal once neglected, but in the Ming and Qing Dynasties, due to the literati painting and calligraphy stone market continues to open up, stone carving are constantly exposed to at that time men of letters of concern and love, bird and insect seal as the Warring States, Qin and Han Dynasty stone seal has been fully developed, the same bird pest seal ornamental has also been into full play. Birds and insects seal may be the reason why has spread due to its unique artistry, quaint, beautiful, natural and graceful, and so on the different art features and let it reveal emerge in an endless stream of ornamental force, so we in the creation of birds and insects seal also felt it the vagaries of the art mysterious.
Key Words: lines structure composition;
目 录
摘要-Ⅰ
Abstract--Ⅱ
目录-Ⅲ
一、鸟虫书和鸟虫篆印1
二、鸟虫篆印文篆字结构表现方法2
（一）空间补白，盘绕填空--2
（二）化繁为简-3
三、鸟虫篆印的章法表现方法--4
（一）疏密结合4
（二）伸缩挪让5
（三）界格与边栏6
四、近现代鸟虫篆印继承与发展-6
总结7
参考文献8
一 鸟虫书和鸟虫篆印
从广义上去定义：鸟虫书是一种不影响该字的字音和字义的基础上，在以基本篆书造型的前提上设计审美理念改变基本的篆书笔画线条形质，使之方圆兼备，弯曲变形如鸟虫之形，或者在原有的篆书线条上增加鸟形，虫形等各样的装饰，以审美的最终目的，形成一种繁琐现象的书体。
鸟虫书的起源虽尚无定论，但从有关文献认为最早出现于商代，董作宾于《殷代的鸟书》 中，认为在殷商时期出现了鸟虫篆，并且用：“玄妇方壶”器铭，以及甲骨文卜辞“高祖王亥”为佐证，苏莹辉于《论先秦时期以鸟篆铭兵的动机》一文中也说道：
“西周以后，鸟虫篆逐渐兴起，但在殷商时代已经萌芽，战国时期达到鼎盛。战国时期鸟虫篆的表现形式已经出现变化，主要流行于吴、越、楚三国。由殷商时代铭器上仅仅个别出现的鸟形装饰，变成了一种兵器的专属文字。”
汉晋砖铭书法产生于各种书体的演变过程中，虽然表现不成熟但是书写字体感情丰富，展现出无限的生机，古朴率真，飘逸灵动。在充满率意灵动和个性生动的楚帛书字体呈现纵势，宽博，书写过程中恣肆飞扬，情感表达直率，笔法灵动活泼，青铜器上所刻铭文，恣肆生动，线条空间布局相互呼应，石砖画像上的图案简约,源|自&751}文~论{文]网[www.751com.cn，装饰富丽，造型秀美，人类早期文字具有强大的造型性和发挥性，这给后来的鸟虫印的发展带来了勃勃生机与无限的想象空间。 鸟虫篆印表现方法浅探:http://www.751com.cn/yishu/lunwen_52153.html