摘要唐窦蒙《述书赋》语例字格是一部有关书法风格和格调的“大百科全书”，书法创作离不开理论指导，今选斫磨一格及其注（错彩雕文、方申巧仪）进行解析，其中包括：笔画装饰、空间处理、字形构思、章法安排、特殊用笔等，书法是形成于内而表现于外的艺术创作形式，由内在的“构思”与外在的“技法”两者构成，“书之好丑，在心于手”、“外师造化，中得心源”都是讲艺术创作既要师法自然，又要中的心源，文章通过“斫磨”格调五例：宫廷格调、庙堂格调、林下之风格调、书卷格调、金石格调中揭示艺术创作的规律，为书法创作提出创新突破点。 50459
毕业论文关键词：字格；斫磨；错彩雕文；述书赋
Wrong color carved Shen Qiaoyi—Dou Meng《shushufu》language word cases derived from the discussion on Mill".
Abstract
Grinding are ugly "idea to Shen Qiaoyi (wrong grinding Zhuo Fu < Tang Doumeng the book > language with word lattice is a department of the calligraphy style and the style of" Encyclopedia ", the creation of calligraphy theory guidance, this selection grid and glyph,) analysis, including: stroke decoration, spatial processing, word shape conception, art arrangements, special brush, etc., the calligraphy is formed on the inner and outside of the art form, the intrinsic and extrinsic" techniques "two," the book, in the heart in hand "," outside the teacher good fortune, in cardiac "about art creation is to imitate the nature, but also in the cardiac and the" chop "style of five cases: Palace Ting style, style of temple, forest wind style, the book style, stone style reveals the law of artistic creation, put forward the innovation breakthrough point for calligraphy creation.
Key words: character; Zhuo grinding; wrong color glyph; < shushufu>
目 录
摘要----------------------------------------------------------------------------------------------I
Abstract-----------------------------------------------------------------------------------------II
目录----------------------------------------------------------------------------------------------III
一、“字格”、“斫磨”解析-----------------------------------------------------------------1
（一）字格-------- ---------------------------------------------------------------------------1
（二）斫磨------------------------------------------------------------------------------------2
二、“斫磨”格调五例------------------------------------------------------------------------3
（一）华丽奢靡的宫廷格调---------------------------------------------------------------3
（二）雄浑端正的庙堂格调---------------------------------------------------------------4
（三）娴雅萧瑟的林下之风格调---------------------------------------------------------5
（四）温文尔雅的书卷格调---------------------------------------------------------------6
（五）古拙浑厚的金石格调---------------------------------------------------------------7
三、“斫磨”对书法创作的意义------------------------------------------------------------9
参考文献----------------------------------------------------------------------------------------10
书法作为实践性的艺术，理论指导必不可少，书法理论早在东汉时期就已经初具规模，经历代发展，论文多为“赋”、“篇”“章”之类，其文繁冗杂乱，甚至有大篇幅的巨著，但是唐代窦蒙的（《述书赋》语例字格）却一改这种程式化的格式，第一次提出如此丰富的美学理论体系，具有很大的开创性，下文选“斫磨”一格来研究，以便指导书法创作良性发展。 窦蒙《述书赋》语例字格有关“斫磨”散议:http://www.751com.cn/yishu/lunwen_53791.html