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摘 要：梅、竹、兰、菊，向来被称之为我国花中的四大君子。而其中的“竹”则表示着刚直、谦虚、不吭不卑、潇洒处世、经常被象征不同流派高雅之士。当然竹笛也是的高雅之士所爱。笛子的发展时期漫长，最早在石器时代骨笛诞生了，在发展过程中分为南北两个派别，在中国这个存在南北两方的国度里，因为地区的差异而产生了两种不同风格的竹笛演奏风格，南派受历史和民间影响较深，通常是将竹笛看作是一件民间乐器，具有鲜明的民族特色，同时，也体现了南派音乐人的审美观。南派曲风一般细腻委婉，以抒情为主，重在以情动人，以景抒情，整个笛曲听上去细腻悠长，在作曲手法上，采用多种表现方式，例如：“颤”、“叠”、“赠”、“打”。每一首笛曲都如那高山流水，让听者能够感受那碧波荡漾的舒畅，其意境悠远至极。北派笛曲一般都是气势恢宏，让人如入磅礴的浩海之中，气势磅礴之感表露无疑。同时，北派的风格和南派的温文尔雅不同风格热烈而奔放，简直是令人荡气回肠，真的是“余音绕梁三日而不散”。总体南北两派风格相去甚远，但也体现了各自的风格。56978
毕业论文关键词:南派,北派,演奏,风格
Abstract：the plum, bamboo, orchid, chrysanthemum, has always been known as four gentlemen of flowers in our country. And one of the "bamboo", said the upright and outspoken, modesty, silent is not low, natural and unrestrained life, elegant symbol is often different genres. Bamboo flute is also elegant of love, of course. The flute of the long development period, the bone flute was born in the Stone Age, in the process of development can be pided into north and south two factions, the existence of the two parties in China, because of the region difference and produce the bamboo flute playing style of two kinds of different style, south are influenced by history and folk deeper, usually see bamboo flute as a folk instrument, with distinctive national features, at the same time, also reflected the southern school music aesthetics. Send style delicate euphemism, in general is given priority to with lyric, focus on moving people by feeling, with the scenery, the flute music sounds fine and long, on the composing technique, using a variety of ways, for example: "chatter", "stack", "gift", "play". Each a flute music such as the mountain stream, let the listener can feel the rippling refreshed, the artistic conception is very long. North sent flute music are generally not imposing manner, let a person such as into the mighty howhi, majestic sense of undoubted. At the same time, the style of the northern and southern gentle warm and different style is bold and unrestrained, is simply a gut-wrenching, is really "lingering and not loose" in three days. Overall the two style, but also reflected their own style.
Keywords: south sent ,North sent, Play, style
目 录
1．竹笛的成长 4
1.1．中国竹笛的流派 4
2.南北演奏风格形成及成长 4
2.1风俗对于南北派演奏风格的形成及发展 4
2.2语言对于南北派演奏风格的形成及发展 5
2.3生活环境对于南北派演奏风格的形成及发展 5
3.南北派的演奏风格对比—以《沂河欢歌》为例 5
3.1．笛子大师曲祥 5
3.1.1概述 5
3.2．北派的演奏风格