摘要：我的本次《传统花鸟题材现代的表现手法》以竹子为题材。古语有云：“竹节竹品映风骨”。中国人所推崇的气节、谦逊的美德的生动写照就在竹子它的风骨姿态上，也是我以竹子为主题的重要因素。本次创作主要运用中国绘画——铅笔的所表达的含义和精神特征。自古以来众多文人墨客以竹赋诗、借竹挥墨，可谓竹韵悠久，竹意盎然。竹文化也逐渐成为中华民族重要的文化图腾。此外，本次创作的主要是以传统与现代的结合。67751

铅笔画是一种以铅笔或固体矿物为色素颜料，在不特定纸上，以明暗面为主，结合线条来表现立体，其最大特点在于每笔几乎都能代表一个明暗立体的面，而不是通过线条的重叠来表达物体的立体感，这样提升了作品的艺术表现和艺术享受。而且它是中国绘画发展来的，也就是它的开始，再次结合西方绘画艺术技法就可以说对它来说是一次大飞跃。我希望通过这些铅笔画的来表达缓慢理性的横向或斜线铅笔条来取代现在的中国传统水墨来体现竹子的风骨姿态，进一步清晰了我们对竹子的观念，对于铅笔画在油画布上的表现“竹子”进行深入探索，从中寻找中国传统艺术中的“境界”美学观念。

毕业论文关键词：表现手法; 铅笔; 竹子; 铅笔画; 明暗

The modern expression of traditional flower bird genre

Abstract: 

My current style of traditional flower birds is based on bamboo. There is a cloud in the old saying: "bamboo in bamboo." It's hollow, courteous, tall and straight bamboo characteristics has become the Chinese regarded wouldst you confound humility, integrity, is the vivid reflection of the virtue, and I with bamboo as the theme of the important factors. The work is mainly used in Chinese painting -- the meaning and spirit of a pencil. Since ancient times, many literati have written poems by bamboo, and they have a long history of bamboo. Bamboo culture also gradually became an important cultural totem of the Chinese nation. In addition, the composition is mainly based on the combination of tradition and modernity. 

Pencil, it is a kind of for a pencil or solid mineral pigment pigment, without specific paper, give priority to with light and surface, combined with lines to show stereo, almost all the biggest characteristic is that every can represent a three-dimensional surface light and shade, rather than by the overlapping of line to express the object of stereo feeling, so that improve the work of artistic expression and artistic enjoyment. And it was the development of Chinese painting, which was its beginning, and the re-integration of western painting techniques was a leap forward. The "bamboo" on the canvas of the painting is explored, and the aesthetic idea of "boundary" in Chinese traditional art is sought. 

Keywords: technique of expression;expression technique;expressive technique; pencil; bamboo;pencil drawing;bright-dark;light — dark

目录

摘要

引言

一、 选题来源

二、 研究目的

（一） 关于中国铅笔画的艺术

（二） 关于竹子的历史

三、 《竹子》系列的创作思路

（一） 观察与探索

（二） 分析

四、《竹子》系列的创作过程

（一）总体设计

（二）论意境在竹子中的表达

（三）《竹子》系列作品的效果图

结论

参考文献