浅谈中国花鸟画的“置陈布势”

摘要：纵观中国花鸟画艺术，远观用势，近观笔墨。在中国画构图中最基本的原理是章法和笔法，而“置陈布势”是花鸟画中的首要环节。“置陈布势”即构图，构图中的布局章法是整幅画布势的关键。西方的构图，更重写实。中国的构图，更注重写意，画者是以我为本，主动去经营布陈。因此，本文通过分析齐白石和吴昌硕两位中国画大师在写意花鸟画构图中对“置陈布势”的运用，创新得将花鸟画归纳成两个特征：置陈型和布势型。“置陈布势”以“线”性的气、势、韵为特色，构成一个气韵连贯的艺术整体，这种构图上的表现手法对于我们中国画的创作和发展有着重要的影响。52244

毕业论文关键词：花鸟画；置陈；布势；气

Abstract: In Chinese flower and bird painting art, with the potential of a distance and close-ink. The most basic principle in Chinese Painting Composition is the art of composition and brushwork, and "set Chen maneuver" is the most important part of the bird and flower painting. "Set Chan maneuver" that composition, the composition of the layout of the tricks is the key to the whole painting cloth potential. Western composition, more realistic. Chinese composition, pay more attention to the freehand brushwork in traditional Chinese painting, painting is to me for this, take the initiative to manage cloth chen. Therefore, this paper analyzes Qi Baishi and Wu changshuo two masters of Chinese painting, "Chen cloth set potential" is used in the freehand bird composition, innovation may be grouped into two feature flower and bird: Chen set type and potential type of cloth. "Chen Chi disposition" to "line" of the gas, potential, the rhyme features, forms a coherent whole spirit of art, the composition of the expression has an important influence on our China painting creation and development.

Keywords: The flower and bird painting; Chen; disposition; gas

前言 3

1.“置陈布势”的中国画构图 3

2．“置陈”在花鸟画构图中的体现 3

3.“布势”在花鸟画构图中的体现 5

4.“置陈布势”在花鸟画中的运用 7

结论 8

参考文献 9

致谢 10

前言

在上花鸟画课上，老师就着重强调构图的重要性，专门针对花鸟画构图提出了一些系统理论知识。诸如“八位出枝法”、“三线交叉”、“S”律动、“构图十六字”等构图原则，使我对花鸟画构图有了初步的认识，并有了想要理解和深入探讨的兴趣。通过收集、查阅大量资料，我发现构图是近代中国画和西洋画中的称呼，而最早的叫法叫做“置陈布势”。“置陈布势”就是指使事物（形态）之间具有某种内在的联系，设计安排出具有内在生命力的构图。“置陈布势”最早是由东晋顾恺之在《论画》中提出的，而南齐谢赫在《画品》六法论中则称之为“经营位置”，阐述的都是绘画作品中对绘画内容的安排问题。源^自·751·文.论,文'网]www.751com.cn

在我看来，“置陈”是起始手段，“布势”是最终结果，中国画的势必须通过构图来实现。一幅画成败的关键就在于取势，而一幅画是否得势的关键又在于构图，“置陈布势”主要是体现在构图中，通过分析齐白石与吴昌硕在花鸟画构图中对“置陈布势”的运用，归纳出花鸟画出现的两个特征：置陈型和布势型。“置陈”是“布势”的基础，”置陈”的目的是为”布势”，要将二者有机结合的运用到构图中去。浅谈中国花鸟画的“置陈布势”:http://www.751com.cn/yishu/lunwen_56072.html