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摘 要：《风雨飘摇》和《忐忑》这两首歌曲在演唱时所需要具备的独特与高超演唱技巧对声乐学习者来说具有一定研究价值。近年来这两首歌曲的艺术影响力已被诸多音乐学者提上研究日程,其中还蕴含着极为丰富的艺术、美学、文化和历史价值。它们的走红就是因为其创新的表现手法让观众觉得新鲜，虽然有刻意求新的成分，但巴托莉和龚琳娜在唱这两首歌曲的时候已为歌曲注入了新时代的时尚元素，而任何形式的创新都是值得鼓励的，能让声乐学习者们如此关注也是它们存在的价值。本文结合巴托莉与龚琳娜这两个代表人物的歌唱艺术,通过分析总结两首歌曲声种的音质特征、声音形象,以及对其声乐作品类型和歌剧角色定位的归纳和总结,并进一步地认识这两位艺术家。3658
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关键词：风雨飘摇; 忐忑; 巴托莉; 龚琳娜
Abstract: "Precarious" and "the uneasy, while singing these two songs in the need to have unique and superb singing skills of vocal music learners has certain research value. This two songs artistic influence in recent years has been so many music scholars on the research agenda, which also contains a very rich set of art, aesthetic, cultural and historical value. Their popularity is because of its innovation performance technique let the audience feel fresh, although there is a element of novelty seeking, but bartow li and gong itself is for traditional music has entrusted with the new era of fashion elements, and any form of innovation are worth to encourage, can let the vocal music learners concern is the value of their existence. In this paper, I will combine bartow li and gong the two representative figure of the singing art, through the analysis summarizes the two songs sound kind of timbre characteristic, the sound image, and the vocal music types and opera role of induction and summary, and further understanding of the two artists.
Keywords: tottering; uneasy; Bartow li; gong,
前 言：歌曲《风雨飘摇》选自文瓦尔第歌剧《巴亚泽》当中的炫技咏叹调是典型的中世纪艺术的代表作，在艺术上它宣告了旧时代的终结和新时代的开端，为新音乐形式的发展开辟了一条正确的道路，也体现了新音乐文化的发展趋势。本篇论文我所阐述的所谓”神曲”只是被广大音乐听众和音乐爱好者及音乐评论家们有心冠名的。《风雨飘摇》和《忐忑》的走红就是因为它们创新的表现手法让观众觉得新鲜，虽然有锐意求新的成分在内，但巴托莉和龚琳娜的做法本身已为传统音乐赋予了新时代的时尚和创新元素，而任何形式的创新都是值得鼓励的。在音乐的发展上我们不能固守传统，一成不变，有创新才会有进步。因此，能让声乐学习者们如此关注也是有其存在的价值的。
一、《风雨飘摇》和《忐忑》的创作背景