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In this theory, he pointed out that “Translation consists in reproduction of the receptor language which is the closet natural equivalence to the source language message, firstly in terms of meaning and secondly in terms of style”. (Guo 65) . The dynamic equivalence includes four different kinds of equivalence, which include the word equivalence, the syntactical equivalence, the chapter equivalence and the stylistic equivalence. In the Nida’s eyes, “the meaning is the most important thing, while the form is the second”. (Guo 67). Hence, in the literary translation, according to Nida’s translation theory, the translator should obey the rule of dynamic equivalence of the four aspects to do the translation in order to reproduce the culture connotation of the source language.